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6.868 / MAS.731

Society of Mind

Spring 2013

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CHAPTER 7: THINKING
QUESTIONS, CRITICISMS, & SOLUTIONS

  1. What algorithms control what we focus on?
  2. Prof. Minsky points out that, as a last resort, you can make a plan by exhaustively searching through all possible plans. Might it be better to randomly generate plans, and keep the best ones?
  3. What methods do minds use for detecting and avoiding certain thought processes (Ways Not To Think)?
  4. How do you prevent subgoals from monopolizing your mind and making you forget what you were originally doing?
  5. I think that effectively using what you already know is at least as challenging as inventing a new way to think— they might even be very similar sorts of processes.

    What methods do we use to effectively apply what we already know, and which of those methods are also applicable when we're learning something new?
  6. How do we develop such complicated ways to think? And how can researchers empirically investigate this development, if so much of our thinking is inaccessible to our own introspection?
  7. How do reflexes and muscle memory relate to the Critic-Selector model?
  8. How do our Critics change over time— and what processes would change them?
  9. How do we manage with such imprecise, non-predictive models of other people (and of ourselves)?
  10. How do we keep track of what we know?
  11. How can we describe the phenomenon of thinking outside the box in terms of the theories proposed in this chapter?
  12. How do we restore our previous mental states so rapidly?
  13. What ways to think do we use when we're sleeping? Can we characterize different phases of sleep by the ways to think we use during them? Which ways to think are exclusive to sleeping? Exclusive to waking? Common to both?
  14. Many people report having great ideas in their sleep. Is sleep conducive to the creation of good ideas?
  15. We have some ability to direct our ways to think, but most of it happens automatically. How do the automatic processes (e.g. habits) interact with our conscious overrides?

    (Thinking has the same quality as breathing: it happens automatically, but we can partially control it when we think about it.)
  16. How can we learn to override our instictive responses? (That is, what mechanisms are responsible for our change in behavior from reacting instinctively to everything, to reacting more deliberately?)
  17. If negative thinking has more influence than positive thinking, does this mean that critical words are more formative of our behavior than positive words?
  18. How can we design a machine that “takes a break and subconsciously keeps thinking about a problem”?
  19. How do we stop ourselves from overgeneralizing or oversimplifying a problem?
  20. What determines how people react to criticism?
  21. How do mental disorders affect Critics? Are mental disorders a kind of Way to Think?
  22. What is the function of psychiatric therapy, in terms of our more sophisticated model of the mind?
  23. Criticism: I don't think that minds can have software diseases. In humans, every problem eventually becomes a physical hardware problem— sadness causes chemical imbalances which result in physical disorder. We should abandon the hardware/software analogy in humans, and seek a different representation.
  24. How do children develop ways of thinking?
  25. How does confabulation happen?
  26. Criticism: Prof. Minsky suggests that our model of a single self prevents us from noticing that we switch between vastly different ways to think. I would argue that we do often regard ourselves as having multiple parts, and we view ourselves in the third person — so perhaps the single-self model is merely highly distracting.
  27. How do individual children learn to use obstacle-overcoming strategies like changing the subject, self-determination, self-conscious reflection, self-regression, cry for help, and emotional thinking?
  28. I see how you could hardwire a brain to have certain Critics and selectors, but how could you generate a new Critic, or a new representation?
  29. What are effective strategies for making plans?
  30. How can we make an AI that can develop its own individuality, if our current design strategy is to hard-code the rules, beliefs, and opinions of our programs ourselves? Moreover, how can we make an AI that not only pursues its own interests, but also excels at collaborating with others?
  31. Suggestion: Perhaps the imaginary friends of children serve the same purpose as self-models and imprimer-models in adults:

    Just like we internalize value systems (we progress from believing that something is wrong because it's punishable, to believing that it's wrong because it's wrong), we also internalize our models of self and virtue.
  32. How do Critics contribute to personalities?
  33. Our patterns of thinking seem controlled by the environment — when a deadline looms, I'm more analytical and meticulous; but when I'm on holiday, I'm more open-minded. Why can't I deliberately switch between these different modes?
  34. Why are people hypocritical in the following sense: they are most outspoken against views that they formerly held, or vices that they (used to) have?

    I suspect it's because their self-Critics are highly developed and sensitive, and so they trigger cascades of emotion even when the Critics are activated by other people instead of one's self.
  35. What if emotions and thinking are not independent faculties, but instead emotions are just another Way to Think?
  36. What is the role of memory with our instinctive, reactive layers?
  37. F. Scott Fitzgerald once said, “The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to funciton.” How might we accomplish this feat?
  38. If thinking is not all linguistic, then what other representations do we use?
  39. What are effective strategies for learning to be more creative?
  40. Can the method of analogies relate concepts between different disciplines?
  41. How much of our thinking is true parallel, i.e. several different processing happening at once, and how much is timesharing, i.e. actively storing and re-storing mental states? Do both kinds of multi-tasking happen simultaneously?
  42. It seems strange that the brain both stores data and processes it, sometimes simultaneously— might the brain have specialized subdivisions for storing data, and for processing it?
  43. Criticism: I don't think that our ancestors developed many different ways to think in order to compensate for the variability of the environment.

    After all, there are probably only a few possible variations in the environment, and only a few different survival problems— even so, there are still many different kinds of people and talents.
  44. Criticism: Prof. Minsky's ideas on using bodies as memory devices seems outlandish; I doubt that our facial expressions can really control our emotions, and I think it's the other way around.
  45. Criticism: I think that expression-caused emotions are an evolutionary hack; while they may give insight into human behavior, they aren't a necessary feature of generally intelligent robots.
  46. When you talk about the patient in Damasio's book, I don't understand what you mean when you say that “his inability to make decisions resulted in his lack of emotions”. Shouldn't it be the other way around?
  47. What happens differently in the mind when you give up on a problem, compared to when you set it aside temporarily?
  48. How do supervising agents measure time, for example to tell that you've been trying one thing for “too long”? Relatedly, how does the phenomenon of immersion happen, where we become less susceptible to distraction the more we become involved in a task?
  49. Sometimes, after we find one solution to a problem, we spot a second solution. It seems like there must be a highly complex collection of mental events that causes us to find those solutions in that order. How can we track down the fine-grained mental operations involved?
  50. I've notice that I can usually find a second solution to a problem, as long as I found the first solution myself. Otherwise, I find it terribly difficult. Why?
  51. What mechanisms allow us to focus, and what processes control how "deep" the focus is? What conditions make it easier to return to a task after setting it aside temporarily?
  52. Idea: Prof. Minsky suggests that it's difficult to read and write at the same time because both skills rely on the same resources. Maybe the reason why some people can't concentrate with background music is that they developed listening-to-music skills which rely on the same resources as their working skills. (Or perhaps people who can listen to music have better Critics for ignoring music.)
  53. How do we develop new context-boxes / realms of thought? Are context-boxes discrete, or do they overlap and meld into each other?
  54. How do brains recognize when a new Critic is necessary and, more importantly, how do they create a new one (e.g. to recognize a new class of situations)?
  55. Why don't most animals invent new Ways to Think?
  56. Why don't we remember everything? Suppose we could add auxillary memory to our brains— wouldn't it then be a good idea to remember basically everything, as long as we could prioritize what we knew, and could garbage-collect it from time to time?
  57. I am interested in the Wishful Thinking strategy. Might there be more precise variants, other than trying to solve the problem with unlimited resources?
  58. In the Resignation strategy, what is the entity called the “Rest of your Mind”?
  59. When reasoning by analogy, how do we decide on the relevant and irrelevant features? Also, if we find more than one plausible mapping, how do we decide on the right one?
  60. I agree with Prof. Minsky when he says “it ought to be one of our central goals [...] to classify our Ways to Think. However, we don't yet have systematic ways to classify those abilities.”

    What progress has been made to organize our different Ways to Think?
  61. What kinds of goals do we have when we are solving artistic or creative problems? For example, what are you trying to achieve when painting, and how do you know when you've done it?